My images of commonplace objects reflect my personal experience of the ordinary as extraordinary. Most people rarely think about the "stuff" in our lives but, to me, even the most ordinary items seem magical.
I often depict old instruments, mechanical devices, and fabric because their repetitive patterns create rhythms of light, shadow, and forms that can be manipulated to convey my phantasmagorical perceptions. The ability to achieve dramatic lighting effects through the mezzotint engraving process makes it the ideal medium for rendering my imagery.
Although my style may be categorized as representational in the ''nature morte'' tradition, to me, still-life does not mean dead weight. By portraying my subjects transcending their status as lifeless objects I strive to depict the anima in the inanimate.